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X-Men

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This article is about the fictional superhero team. For the primary X-Men comic book title, see Uncanny X-Men. For other uses, see X-Men (disambiguation).
X-Men


The X-Men
Art by Salvador Larroca.

Publisher Marvel Comics
First appearance The X-Men #1
(September 1963)
Created by Stan Lee
Jack Kirby
Team status Active
Base(s) of operations Xavier Institute for Higher Learning
Roster
Current roster
Astonishing X-Men
Cyclops
Emma Frost
Beast
Shadowcat
Colossus
Wolverine
Uncanny X-Men
Professor X
Nightcrawler
Marvel Girl
Havok
Polaris
Warpath
Darwin
X-Men
Rogue
Iceman
Cannonball
Cable
Mystique
Sabretooth
New X-Men
Surge
Hellion
Dust
Mercury
Rockslide
X-23
Notable former members
Jean Grey
Storm
Magneto
Archangel
Bishop
Gambit
Psylocke
Banshee
Jubilee

List of X-Men teams

The X-Men is a team of comic book superheroes in the Marvel Comics universe. Created by Stan Lee and Jack Kirby, they debuted in The X-Men #1, published in September 1963.

The X-Men universe has branched into film and television, including one of the most successful Saturday morning programs, X-Men: The Animated Series. The year 2000 saw the debut of the long-awaited X-Men movie directed by Bryan Singer. The $75 million adaptation was an instant hit and took in over $296 million worldwide. Its sequel X2 was released in 2003 and became the sixth highest grossing film of the year. The third X-Men movie, X-Men: The Last Stand, was released May 26, 2006 and had the biggest Memorial Day opening of all time, taking in over $122 million over the four-day period.

Contents

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Background

The X-Men are fictitious mutants who, as a result of a sudden leap in evolution, are born with latent superhuman abilities which generally manifest themselves at puberty. Many ordinary humans (Homo sapiens) harbor an intense fear and/or distrust of mutants (Homo superior), who are regarded by a number of scientists as the next step in evolution and are thus widely viewed as a threat to human society.

The tensions between mutants and the rest of humanity are exacerbated by the many instances in which mutants (including such X-Men archenemies as Magneto and Apocalypse) have used their powers to criminal or violent ends. The X-Men alliance was formed by the benevolent Professor Charles Xavier, a.k.a. Professor X, a wealthy mutant who founded an academy to train young mutants to protect themselves and the world from Magneto and other mutant threats.

The X-Men comic book series was one of comicdom's earliest and most influential trendsetters in adopting a multicultural central cast; during the 1970s, the roster was diversified, adding characters from Germany, Ireland, Canada, the Soviet Union, Kenya and Japan. Characters representing many other ethnicities and cultural backgrounds have subsequently been added. The stories themselves often touch upon themes relating to the status of minorities, including assimilation, tolerance, and beliefs regarding a "superior race."

The team's name is widely said to be derived from the fact that mutants have "extra" powers due to their "X-Factor" gene (a word which was coined by Professor X). Co-creator Stan Lee recalled in his book Son of Origins of Marvel Comics and elsewhere that he devised the series title after Marvel publisher Martin Goodman turned down the initial name, "The Mutants." In addition to this "official" explanation, the X-Men are widely regarded (both within the Marvel Universe as well as by the readers of the series) to have been named after Xavier himself. In Uncanny X-Men #309, Xavier claimed that the name "X-Men" was never intended to be a self-tribute.

History

X-Men #1, 1963. Art by Jack Kirby.
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X-Men #1, 1963. Art by Jack Kirby.

Beginning

The X-Men were founded by the paraplegic telepath Professor Charles Francis Xavier a.k.a. Professor X. Xavier gathered the X-Men under the cover of Professor Xavier's School for Gifted Youngsters at a large country estate at 1407 Graymalkin Lane in Salem Center, a small town in Westchester County, New York . The original X-Men consisted of five teenagers whom the professor taught to control their powers: Cyclops/Scott Summers, Angel/Warren Worthington III, Beast/Hank McCoy, Iceman/Bobby Drake, and Marvel Girl/Jean Grey.

Early X-Men issues introduced the team's arch nemesis Magneto and his Brotherhood of Evil Mutants featuring Quicksilver, Scarlet Witch, Mastermind and the Toad. Ironically, the cast of this comic book series, which would in decades hence become a vehicle for stories about prejudice and racism, was originally racially and ethnically homogeneous, seemingly comprised entirely of the WASP-type character that was the de facto model for most comic book heroes at that time. Furthermore, their arch nemesis was Magneto, a character later portrayed as a Jewish concentration camp survivor, whose key followers, son and daughter, Quicksilver and the Scarlet Witch were Gypsies (Roma), an ethnic minority in Europe. Only one new X-Man was added, Mimic/Calvin Rankin, but was soon expelled by Xavier due to his arrogance.

In 1969, writer Roy Thomas and artist Neal Adams rejuvenated the comic book and gave regular roles to two characters that had been recently introduced: Havok/Alex Summers (who had been introduced by Roy Thomas before Adams began work on the strip) and Lorna Dane, later called Polaris (created by Arnold Drake and Jim Steranko). However, these early X-Men issues failed to attract sales and Marvel stopped producing new stories with issue #66, although a number of the older comics were later reprinted as issues 67-93.

1970s

Giant-Size X-Men #1, 1975. Art by Gil Kane & Dave Cockrum.
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Giant-Size X-Men #1, 1975. Art by Gil Kane & Dave Cockrum.

In Giant-Size X-Men #1 (1975), writer Len Wein and artist Dave Cockrum introduced a new team that would appear in new issues of The X-Men beginning with issue #94. Rather than teenagers, this group consisted of adults who hailed from a variety of nations and cultures. The "all-new, all-different X-Men" were led by Cyclops from the original team and consisted of the newly created Thunderbird/John Proudstar, Colossus, Nightcrawler/Kurt Wagner and Storm/Ororo Munroe, along with three previously introduced characters, Sunfire/Shiro Yoshida, Banshee/Sean Cassidy and, most notably, Wolverine/Logan who would become the breakout character.

The revived series was illustrated by Dave Cockrum and later John Byrne and written by Chris Claremont, who would become the series' longest-standing contributor. The run met great critical acclaim and produced the "Proteus Saga", "Dark Phoenix Saga", and later the early 1980's "Days of Future Past", arguably some of the greatest story arcs in Marvel Comics, as well as X-Men: God Loves, Man Kills, the basis for the 2003 movie X2. Other characters introduced at this time include Mystique, Multiple Man, the Hellfire Club, and Moira MacTaggert along with her genetic research facility Muir Island.

1980s

Cover of Uncanny X-Men #227. Art by Marc Silvestri.
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Cover of Uncanny X-Men #227. Art by Marc Silvestri.

In the 1980s, the growing popularity of Uncanny X-Men and the rise of comic book specialty stores led to the introduction of several spin-off series nicknamed "X-Books", most notably The New Mutants, X-Factor and Excalibur and a solo Wolverine title. This plethora of X-Men-related titles led to the rise of crossovers, sometimes called "X-Overs", storylines which would overlap into several X-Books, sometimes for months at a time and usually once per year; including the Mutant Massacre, The Fall of the Mutants and Inferno.

Notable additions to the X-Men were Shadowcat, Rogue, Dazzler, Psylocke, Longshot, Forge, and Jubilee. A controversial move was to have Professor X relocate to space in 1986 to be with his beloved Lilandra, Majestrix of the Shi'ar Empire, making Magneto the head of the X-Men. This period also included the arrival of the mysterious Madelyne Pryor, the villains Mystique, Mister Sinister, Sabretooth, and Apocalypse

1990s

The multiple, interlocking covers of X-Men #1 (1991) boosted sales. Art by Jim Lee.
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The multiple, interlocking covers of X-Men #1 (1991) boosted sales. Art by Jim Lee.

In 1991, Marvel revised the entire lineup of X-books with X-Men (vol. 2), the original series of this title having been already renamed to Uncanny X-Men. Its first issues were drawn by mega-popular artist Jim Lee and written by longstanding X-Men writer Chris Claremont . Another new X-book released at the time was X-Force featuring the characters from the The New Mutants led by Cable written by Rob Liefeld and Fabian Nicieza.

Internal friction split the X-Men books' creative teams. Chris Claremont left after only three issues of X-Men due to clashes with artist Jim Lee and the Marvel editors, thus ending his sixteen-year run as X-Men writer. Months later, Liefeld and Lee left Marvel with several other popular artists including former X-Men artists Marc Silvestri and Whilce Portacio to form Image Comics. After Claremont left Scott Lobdell took over X-Men. And later would work with artist Joe Madureira.

Notable additions to the X-Men have been Gambit, Bishop, Cannonball, Cecilia Reyes, Maggott and Marrow. This decade saw the return of Xavier and the original X-Men to the team. With so many X-Men Xavier split the X-Men into two strike teams. Cyclops lead the "Blue Team" and Storm lead the "Gold Team"

The 1990s saw an even greater number of X-books with numerous ongoing series and miniseries running concurrently. Generation X featured Jubilee and other teenage mutants who were lead and schooled by Banshee, and former villain Emma Frost. X-Man starred a powerful young mutant Nate Grey. Marvel launched solo series for characters including Cable, Gambit, Bishop and Deadpool, the last a sarcastic mercenary antagonist of X-Force. In 1998 Excalibur and X-Factor ended and the latter was replaced with the parallel world series Mutant X starring Havok.

Notable story arcs of this time are the "The X-Tinction Agenda" in 1990, " The Muir Island Saga" in 1991, "X-Cutioner's Song" in 1992, "Fatal Attractions" in 1993, "Phalanx Covenant" in 1994, "Legion Quest"/"Age of Apocalypse" in 1995, " Onslaught" in 1996 and "Operation: Zero Tolerance" in 1997.

2000s

New X-Men #114, 2001. Art by Frank Quitely.
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New X-Men #114, 2001. Art by Frank Quitely.

In the 2000s, Claremont returned to Marvel and was put back on the primary X-Men titles. He was soon removed from his two flagship titles in early 2001 and created his own spin-off series, X-Treme X-Men. This was part of an event called "Revolution". In the meantime, characters such as Moira MacTaggert, Apocalypse, Psylocke and Colossus were also killed off.

X-Men had its title changed at this time to New X-Men and new writer Grant Morrison took over. This era is often referred to as the Morrison-era, due to the drastic changes he made to the series, beginning with "E Is For Extinction", where new villain, Cassandra Nova , destroys Genosha and killing sixteen million mutants. Morrison also brought reformed villain Emma Frost into the primary X-Men team, and opening the doors of school by Xavier "outing" himself to the public about being a mutant. The bright spandex costumes that had become iconic over the previous decades were also gone, replaced by black leather street clothes reminiscent of the uniforms of the X-Men movies. Morrison also added the controversial new character, Xorn, who would go on to murder her and wreak havoc on New York City (Whether Xorn was mind-controlled or not is disputed; see his entry for an insight into the controversy). In the meantime, the Ultimate X-Men were launched, set in Marvel's revised imprint. Chuck Austen also began his controversial run on Uncanny X-Men.

Notable additions to the X-Men have been Emma Frost, Sage, Xorn and Stacy X. This decade also included former villains becoming an X-Man have been Juggernaut, Mystique, Sabretooth, and Warpath. Several short-lived spin-offs and mini-series started including Mystique, Emma Frost, Gambit, Rogue, Nightcrawler, Xavier and Magneto and District X. Cable and Deadpool's books were also rolled into one book, called Cable and Deadpool. A third primary X-Title was also introduced called Astonishing X-Men, written by Buffy the Vampire Slayer creator Joss Whedon, following Morrison's departure. Another X-Book titled New X-Men: Academy X took its place focusing on the lives of the new young mutants at the Institute. Chris Claremont returned for writing duties on The Uncanny X-Men, introducing X-23 from the X-Men: Evolution TV series, as well as bringing Excalibur back.

This period included the resurrections of Psylocke and Colossus, and Cyclops and Emma Frost, now a couple, (another one of Morrison's innovations, as well as killing off Jean Grey) becoming the new leaders of the Institute. The Institute formerly ran as a large-scale school, until the depowering of most of the mutant population. It now serves as a safe haven to those mutants who are still powered and as the home of the X-Men. In the meantime, Apocalypse was resurrected.

Notable story arcs of this decade are "Dream's End", "Eve of Destruction", " E Is For Extinction", "Planet X", "Gifted", " X-Men: Phoenix - Endsong, "House of M", "Decimation", " Deadly Genesis", and "Civil War".

International characters

Since Giant-Size X-Men #1 (1975), the X-Men have also become famous for their wide cultural and ethnic diversity.

Storm, one of the first black female superheroes.
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Storm, one of the first black female superheroes.

Long before international characters became popular in the comics world, the X-Men franchise brought in characters from all over the world such as from:

Fictional places

The X-Men introduced several fictional locations which are regarded as important within the shared universe in which Marvel Comics characters exist:

Reflecting current social issues

The conflict between mutants and normal humans is often compared to conflicts experienced by minority groups in America such as Jews, African-Americans, Communists, Homosexuals, Catholics etc. Also on an individual level , a number of X-Men serve a metaphorical function as their powers illustrate points about the nature of the outsider.

Quotation
The X-Men are hated, feared and despised collectively by humanity for no other reason than that they are mutants. So what we have here, intended or not, is a book that is about racism, bigotry and prejudice.
Uncanny X-Men writer Chris Claremont, 1982
  • Diversity : Characters within the X-Men mythos hail from a wide variety of nationalities (see "International Characters" section above). These characters also reflect religious, ethnic or sexual minorities. Examples of Jewish characters include Shadowcat and Magneto, whilst Dust is a devout Muslim, Nightcrawler a devout Catholic and Thunderbird III is a follower of the Hindu faith. Karma was portrayed as a devout Catholic who regularly attended Mass and confession when she was introduced as a founding member of the New Mutants. This team also included Wolfsbane (a devout Scots Presbyterian), Danielle Moonstar (a Cheyenne Native American) and Cannonball (a Baptist), and was later joined by Magma (a devout Greco-Roman classical religionist).
Northstar, one of the first gay superheroes, in the cover for Uncanny X-Men #392, by Salvador Larroca.
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Northstar, one of the first gay superheroes, in the cover for Uncanny X-Men #392, by Salvador Larroca.
  • AIDS: The comic books delved into the AIDS epidemic during the early 1990s with a long-running plotline about the Legacy Virus, a seemingly incurable disease similarly thought at first to only attack mutants. A similar storyline appeared in the X-Men animated series that aired in the 1990s.
  • Anti-Semitism : Explicitly referenced in recent decades is the comparison between anti-mutant sentiment and anti-Semitism. Magneto, a Holocaust survivor, sees the situation of mutants as similar to those of Jews in Nazi Germany. At one point he even utters the words "never again" in a 1992 episode of the X-Men animated series. In the comic books, Magneto has routinely sought to establish a "mutant homeland" which may be a parallel to modern day Israel. The mutant slave labor camps on the island of Genosha, in which numbers were burned into mutants' foreheads, show much in common with Nazi concentration camps, as do the internment camps of the classic Days of Future Past storyline. Another notable reference is in the third X-Men film, when asked by Spike and co: "If you're a mutant, then where's your mark?" Magneto shows his concentration camp branding, whilst mentioning that he will never let another needle touch his skin again.
  • Anti-Catholicism : Within the X-books there is a metaphorical connection between anti-Catholic prejudices and the X-Men's maligned, outcast status. Just as Catholics were often mistrusted and feared in early United States history because of their loyalty to a foreign Pope, so are the X-men suspect because of their double loyalties both to the same laws as all other citizens and to the "mutant cause." Individual members of the X-Men (and related teams) who have been overtly identified as Catholics include: Nightcrawler, Havok, Gambit, Siryn, Banshee, Sunspot, Skin, and Karma.
  • As a subculture: In some cases, particularly in Grant Morrison's stories of the early 2000s, mutants were portrayed as a distinct subculture with "mutant bands" and a popular mutant fashion designer who created outfits tailored to mutant physiology. Also the series District X takes place in an area of New York City called "mutant town." These instances can also serve as analogies for the way that minority groups establish specific subcultures of their own that distinguish themselves from the broader general culture. Director Bryan Singer has remarked that the X-Men franchise has served as a metaphor for acceptance of all people for their special and unique gifts. The mutant condition that is often kept secret from the world is analogous to feelings of difference and fear usually developed in everyone during adolescence.
  • Characters: This metaphorical content is also present, more personally rather than politically, in some of the characters. For instance, Cyclops must wear a visor or specialized glasses at all times to keep his powers in control and has thus grown-up emotionally restrained; Rogue, whose mutant power prevents her from establishing physical contact with others, feels an enormous sense of personal isolation. Thus, the effects of alienation on one's well-being and psyche are often explored in the franchise.

Other media

Cartoons

A scene from Pryde of the X-Men.
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A scene from Pryde of the X-Men.
  • The X-Men made their first ever animated appearance on the 1960s Marvel Super Heroes TV series with the original X-Men line-up (Angel, Beast, Cyclops, Iceman). Since Grantray-Lawrence Animation didn't have the rights to the Fantastic Four, they substituted them with the X-Men. Interestingly enough, the X-Men were never referred to as the X-Men. They were instead, referred to as Allies for Peace. The characters kept their original looks and individual names from the comics though.
  • The X-Men occasionally guest-starred on Spider-Man and His Amazing Friends. Spider-Man, Iceman and Firestar were the three regular heroes. The X-Men first appeared on the Spider-Man and His Amazing Friends episode The Origin of Iceman. Appearing in this particular episode (in a flashback sequence only) are Professor X and the four original X-Men: Iceman, Cyclops, Angel, and Beast. The next appearance on Spider-Man and His Amazing Friends was in the episode A Firestar is Born''. Making appearances in this particular episode are Professor X, Cyclops, Angel, Wolverine, Storm, and Juggernaut (plus Magneto in a cameo appearance). The X-Men would return the following season in the episode entitled The X-Men Adventure. Making appearances there were Professor X, Cyclops, Storm, Nightcrawler, Colossus, Sprite, and Thunderbird. The X-Men Adventure was meant to be a pilot for an X-Men cartoon, featuring the X-Men characters in the episode, plus Lady Lightning (animated version of Carol Danvers/Ms. Marvel) and Videoman as members. Needless to say, the cartoon never happened.
  • In 1989, Marvel Productions produced a pilot X-Men episode for NBC called Pryde of the X-Men. The series was never picked up but the single episode aired infrequently in syndication during the Marvel Action Universe series and was later released on video. In 1991, a 4-6-player arcade game was based upon this failed series starring Cyclops, Wolverine, Colossus, Storm, Nightcrawler, and Dazzler. Professor X and Kitty Pryde also appear.
  • In 1992, the Fox Network launched an unrelated X-Men animated series with the roster of Beast, Cyclops, Gambit, Jubilee, Professor X, Rogue, Storm and Wolverine with Bishop and Cable frequently guest starring. The two-part piloting episode, "Night of the Sentinels" set off what would become a five season series. It was an extraordinary success, becoming one of the most watched animated series in television history and helping widen the X-Men's popularity. The five seasons ended in 1997. It was put back in Fox's line up for several months after the first movie was released.
  • In 2000, Warner Brothers Network launched the television show X-Men: Evolution, which portrayed the X-Men as teenagers attending regular high school in addition to the Xavier Institute. The series ended in 2003 after its fourth season.
  • In 2007, Marvel Studios will put out a new X-Men animated show that will primarily feature Wolverine, this time using a mesh of 2D/3D animation for characters and backgrounds. Avi Arad, CEO of Marvel Studios, stated "X-Men is one of Marvel's crown jewels and it makes sense to focus on the popular Wolverine character for our second animation project."

Films

Teaser poster for X-Men: The Last Stand
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Teaser poster for X-Men: The Last Stand

The first attempts to make a film version of the X-Men began in the late 1980s along with Spider-Man and Hulk films. James Cameron, director of Aliens and The Terminator, was rumored to have been selected as director, but the project never came to fruition. In 1996, FOX produced a television movie based on the X-Men spin-off Generation X.

  • In 2000, 20th Century Fox released X-Men, a $75 million film adaptation of the comic, directed by Bryan Singer.
  • In 2003, the sequel X2 also directed by Singer, was released. This film was loosely based on the 1982 graphic novel God Loves, Man Kills. It was an even greater success than the first film.
  • In 2006, a third movie X-Men: The Last Stand directed by Brett Ratner was released. Singer was originally slated to direct the film but left the project to work on Superman Returns. Matthew Vaughn was then selected to take Singer's place but dropped out in June 2005 due to "personal issues", resulting in the project being given to Ratner. X-Men: The Last Stand made $122.9 million in its first weekend and has become the most successful movie of the franchise making over $441 million worldwide.
  • Spin-offs: Lauren Donner, producer for the first two movies, has said the movie studio is interested in producing two spin-off films. One film will star Wolverine, in which Hugh Jackman will reprise his role as the clawed warrior. Screenwriter Sheldon Turner is currently working on bringing Magneto to the big screen in his own spin-off film. The plot will deal with the character's friendship turned sour with Charles Xavier. Turner has stated that "It's going to take place from 1939 Auschwitz up to 1955 or so." Although it at first appears unlikely that Ian McKellen will reprise his role, recently he stated that he would actually be playing a younger incarnation of his character due to a CGI effect which is able to make him appear younger.[1] Rebecca Romijn, who plays Mystique in the X-Men franchise, has been approached about a Mystique film. Reputable movie news site http://www.superherohype.com has reported that X-Men: The Last Stand screenwriter Zak Penn is now writing a third X-Men spin-off film as well.

Video games

The first X-Men video game was released by LJN for the NES and was called Marvel's X-Men. That same year (1989) a computer game was also released based on the X-men. In the 1990s Sega of America released two popular X-men video games for its Sega Genesis; X-Men and X-Men 2: Clone Wars.

There are several video games for various platforms starring the X-Men. Many of them are 2D fighting games such as 1994's X-Men: Children of the Atom, 1996's X-Men vs. Street Fighter and 2000's X-Men: Mutant Academy. There was also a 3-D fighting-game called X-Men: Next Dimension the most recent in the series are the role-playing games X-Men Legends (2004) and its 2005 sequel X-Men Legends II: Rise of Apocalypse. The characters also appeared in the Marvel vs. Capcom series. Konami also created n 1992 an X-Men (arcade game) which featured 6 playable X-Men characters: Cyclops, Wolverine, Nightcrawler, Storm, Colossus, and Dazzler.

To coincide with the release of the third film, Activision has released X-Men: The Official Movie Game which will fill in the gap between X2: X-Men United and X-Men: The Last Stand.

A full list can be found here.